{"id":30,"date":"2017-02-21T12:19:03","date_gmt":"2017-02-21T12:19:03","guid":{"rendered":"http:\/\/www.vadimfishkin.si\/?page_id=30"},"modified":"2025-10-02T09:58:11","modified_gmt":"2025-10-02T09:58:11","slug":"cv","status":"publish","type":"page","link":"https:\/\/vadimfishkin.si\/?page_id=30","title":{"rendered":"cv"},"content":{"rendered":"<p>VADIM FI\u0160KIN (FISHKIN)<br \/>\nBorn in Penza 1965 (USSR)<br \/>\nLives and works in Ljubljana.<\/p>\n<p>SELECTED SOLO EXHIBITIONS<\/p>\n<p>2025<br \/>\n\u201eWindblown \u201c, (with Manuel Gorkiewicz ), EVN AG Headquarter, Vienna<br \/>\n2023<br \/>\n&#8220;Batteries not included&#8221;, Loom Gallery, Milan, Italy<br \/>\n&#8220;Dark Times&#8221;, Bo\u017eidar Jakac Art Museum, Kostanjevica na Krki, Slovenia.<br \/>\n2022<br \/>\n\u201cThe Island of the Day Before\u201d, Franz Josefs Kai 3, 1010 Vienna, Austria<br \/>\n\u201cLight Weight\u201d, DUM project space, Ljubljana<br \/>\n2021<br \/>\n\u201cThere is no magic. There is always a story\u201d, (with Nika Radi\u0107), WHW, Galerija Nova, Zagreb<br \/>\n2020<br \/>\n\u201cDark Times\u201d, DUM project space, Ljubljana<br \/>\n2019<br \/>\n\u201cCollisions and Missing Parts\u201d (with Attila Cs\u00f6rg\u0151), Hollybush Gardens, London<br \/>\n2018<br \/>\n\u201cA Little Big Bang\u201d, DUM project space, Ljubljana<br \/>\n\u201cCollisions and Missing Parts\u201d (with Attila Cs\u00f6rg\u0151) Associazione Barriera, Turin<br \/>\n\u201cA Little Big Bang\u201d, LOOM GALLERY, Milan<br \/>\n2017<br \/>\n\u201cLight Solidarity\u201d, Galerija Gregor Podnar, Berlin<br \/>\n\u201cVadim Fishkin\u201d, One night stand gallery, Musiz Foundation, Sofia, Varna<br \/>\n2016<br \/>\n\u201cThe time when we wanted to be astronauts\u201d, LOOM GALLERY, Milan<br \/>\n\u201cScientific Bricolage\u201d, KRANK Art Gallery, Istanbul<br \/>\n2015<br \/>\n\u201cNO MAGIC\u201d, MSUM \/ Museum of Contemporary Art Metelkova, Ljubljana<br \/>\n2014<br \/>\n\u201cVadim Fishkin\u201d, VARTAI Gallery, Vilnius<br \/>\n2013<br \/>\n\u201cLight matters 4\u201d, Skuc Gallery, Ljubljana<br \/>\n2012<br \/>\n\u201cLight matters 2\u201d, Galerija Gregor Podnar, Berlin \/ Ljubljana<br \/>\n2011<br \/>\n\u201cLight Matters\u201d, KiBela, Maribor<br \/>\n2009<br \/>\n\u201ctour en l\u2019air\u201d, Galerija Gregor Podnar, Berlin<br \/>\n\u201cVadim Fishkin\u201d,\u00a0Kunstverein Rosenheim, Rosenheim<br \/>\n\u201cVadim Fishkin\u201d, Amanei, Santa Marina Salina<br \/>\n\u201cThe cave of the day before\u201d,\u00a0Impronte Contemporary Art, Milan<br \/>\n2008<br \/>\n\u201cSorry-Out of Order\u201d, Galerija Gregor Podnar, Ljubljana<br \/>\n2007<br \/>\n\u201cMoving Star\u201d, Georg Kargel Box, Vienna<br \/>\n\u201cMagic Button\u201d, City Museum, Ljubljana<br \/>\n2005<br \/>\n\u201cTwins Paradox\u201d, Galerija Gregor Podnar, Ljubljana<br \/>\n\u201cAnother Speedy Day\u201d, Padiglione sloveno, La Biennale di Venezia, Venice<br \/>\n\u201cVadim Fishkin\u201d, Galerie Eugen Lendl, Graz<br \/>\n2004<br \/>\n\u201ccount down, count up\u201d, Galleri Konstepidemin, Gothenburg<br \/>\n2002<br \/>\n\u201cDictionary of Imaginary Places\u201d (together with Guia Rigvava), Galerija Skuc, Ljubljana<br \/>\n2000<br \/>\n\u201cOgnegraf\u201d, Museum of Modern art, Zagreb (in Apartment of Vlasta Delimar and Vlado Martek)<br \/>\n\u201cSnowShow\u201d (project CrossCurrents, together with Mary Lucier), TV gallery, Moscow<br \/>\n1998<br \/>\n\u201cdedicated\u201d, Gallery Knoll, Vienna, Gallery Kapelica, Ljubljana<br \/>\n\u201cChildren\u2019s Museum\u201d, Sezam, Ljubljana<br \/>\n1997<br \/>\n\u201cChildren\u2019s Museum\u201d, \u201cSelf-portrait\u201d, Isabella Stewart Gardner Museum, Boston<br \/>\n1995<br \/>\n\u201c Reason is Something&#8230;..\u201d (in collaboration with E.Asse and D.Gutov), Padiglione della Russia, La Biennale di Venezia, Venice<br \/>\n\u201cOne-man show\u201d, Mala galerija \/ Moderna galleria, Ljubljana<br \/>\n1994<br \/>\n\u201cProektika\u201d, Contemporary Art Center, Moscow<br \/>\n\u201cExchanged heads\u201d, Contemporary Art Center, Moscow<br \/>\n1993<br \/>\n\u201cDarkness Orbit\u201d, Gallery Shkola, venues: Gallery Gelman, Gallery Dar, Gallery 1.0, Gallery Shkola, Contemporary Art Center, Moscow<\/p>\n<p>SELECTED GROUP EXHIBITIONS<\/p>\n<p>2025<br \/>\nWeaving Worlds: Collections in Conversation, MSUM \/ Museum of Contemporary Art Metelkova, Ljubljana<br \/>\nAutostrada Biennale, Prizren, Kosovo<br \/>\nFROM DAWN TILL DUSK, The Shadow in Contemporary Art, Kunstmiseum Bonn<br \/>\nEcho. NLB Contemporary Art Collection. Ljubljana, Slovenia.<br \/>\nTired Palm Trees, UGM museum, Maribor<br \/>\nChildren&#8217;s museum , Museo Napole\u00f3nico de la Habana ,15 Bienal de La Habana<br \/>\n2024<br \/>\n10th Triennial of Contemporary Art \u2013 U3 | Against the Stream of TimeBiennial, Ljubljana<br \/>\nExpocollective: Saint-Ex, Culture num\u00e9rique, Reims<br \/>\nExtended vision, Cukrarna, Ljubljana<br \/>\nUtopia Station, Collection IAC, Villeurbanne\/Rh\u00f4ne-Alpes , Galerie Artemisia de l&#8217;ENS Lyon<br \/>\n2023<br \/>\n\u201cSolar Breath\u201d, ERES Stiftung, Munich, Germany<br \/>\n\u201cHumans and Demons\u201d, Steirischer Herbst, Graz, Austria<br \/>\n\u201cSuperluminal\u201d, LAM light art museum, Budapest<br \/>\n2022<br \/>\n\u201cGrowing Out? Growing Up? Contemporary Art Collecting in the Baltics\u201d, Zuzeum Art Centre, Riga<br \/>\n\u201cEmergency Exit\u201d, MSUM \/ Museum of Contemporary Art Metelkova, Ljubljana<br \/>\n2021<br \/>\n\u201cThe Wonderfulness Of Memory\u201d, Cukrarna, Ljubljana<br \/>\n\u201cExpo Enclosed\u201d, TESEUM , Tongeren<br \/>\n\u201cEKO 8\u201d, International ART Triennial, UGM museum, Maribor<br \/>\n2020<br \/>\n\u201cPARANOIA-TV\u201d, steirischer herbst, Graz<br \/>\n\u201cCollection of Contemporary Art: Marino Cettina\u201d, Museum of Contemporary Art of Istria, Umag<br \/>\n\u201cSupernature\u201d, Saint-Ex, digital culture, Reims<br \/>\n\u201cLight After Darkness\u201d, MAM Mario Mauroner Contemporary Art, Salzburg<br \/>\n\u201cViral Self-Portraits\u201d, MSUM \/ Museum of Contemporary Art Metelkova, Ljubljana<br \/>\n2019<br \/>\nThe Great Globe, AQB Art Quarter, Budapest<br \/>\n2018<br \/>\n\u201cIntelligent observer\u201d, pixxelpoint, Nova Gorica<br \/>\n\u201cNo Looking Back, Okay?\u201d, UGM Maribor Art Gallery, Maribor<br \/>\n\u201cBlack Mirror\u201d, MAM Mario Mauroner Contemporary Art, Vienna<br \/>\n\u201cMiddle Gate II, The story of Dymphna\u201d, Saint Dymphna Church, Geel<br \/>\n\u201cThe Marvellous Cacophony\u201d, Oktober Salon, Belgrade Biennial, Belgrade<br \/>\n\u201cPlaces: One After Another\u201d, Jewish Museum and Tolerance Center, Moscow<br \/>\n\u201cBlack Mirror\u201d, MAM Mario Mauroner Contemporary Art, Salzburg<br \/>\n\u201cFairytales? Sounds good!\u201d, Lewben Art Foundation, Art Vilnius 2018, Vilnius<br \/>\n\u201cPluses and Minuses\u201d, On Bialystok Power Station, Arsenal Gallery, Bialystok<br \/>\n\u201cVadim Fishkin \/ Yerbossyn Meldibekov. The Relationship of Coinciding\u201d, Aspan Gallery, Almaty<br \/>\n2017<br \/>\n\u201cSymptoms of Society\u201d, Zheijang Art Museum, Zheijang<br \/>\n\u201ctech x space\u201d, Galerija \u0160KUC, Ljubljana<br \/>\n\u201cWorking Drawings and Other Visible Things&#8230;.\u00a0(After Bochner)\u201d, Conceptual Art Centre, Bukovje \/ Landskrona<br \/>\n\u201cVIVA ARTE VIVA\u201d, 57th Venice Biennale\u00a0&#8211;\u00a0La Biennale di Venezia, Venice<br \/>\n\u201cSymptoms of Society\u201d, \u00a0Guangdong Museum of Art,\u00a0Guangdong<br \/>\n2016<br \/>\n\u201cThree rooms (and a corridor)\u201d, SKUC Gallery, Ljubljana<br \/>\n\u201cThe Centres of Printmaking: At The Intersection Of Knowledge, Learning And Cooperation\u201d, MGLC, Ljubljana<br \/>\n\u201cCold Front from the Balkans\u201d, Pera Museum, Istanbul<br \/>\n\u201cRotterdam Cultural Histories #9, MANIFESTA 1 REVISITED\u201d, Witte de With, Rotterdam<br \/>\n\u201cLow-Budget Utopias\u201d, MSUM \/ Museum of Contemporary Art Metelkova,\u00a0Ljubljana<br \/>\n\u201cBeyond The Globe\u201d | 8th Triennial of Contemporary Art \u2013 U3, Moderna galerija, Ljubljana<br \/>\n2015<br \/>\n\u201cNow, at the latest\u201d, Kunsthalle Krems, Krems<br \/>\n\u201cThe Human Condition\u201d, National Centre for Contemporary Arts, Moscow<br \/>\n\u201cPerforming the Museum\u201d, Koro\u0161ka Gallery of Fine Arts, Slovenj Gradec<br \/>\n\u201cl\u2019avantgo\u00fbt M\u00e9catronique\u201d, Saint-Ex &#8211; Culture num\u00e9rique, Reims<br \/>\n\u201cDemonstrating Minds. Disagreements\u201d, Kiasma Art Museum, Helsinki<br \/>\n\u201cLexus Hybrid Art 2015\u201d, Rossiya Theatre, Moscow<br \/>\n\u201cWorking Drawings and Other Visible Things on Paper Not Necessarily Meant To Be Viewed as Art (After Bochner)\u201d CAC Bukovje \/ Landskrona for Kilometre of Sculpture, V\u00f5ru<br \/>\n\u201c\u00dcbermorgenk\u00fcnstler\u201d, Kunsthalle Baden-Baden, Baden-Baden<br \/>\n\u201cMinimal Forms of Reality\u201d, Bunkier Sztuki Contemporary Art Gallery, Krakow<br \/>\n\u201cArt Festival Watou 2015\u201d, Watou<br \/>\n\u201c111 Artists in One Office\u201d, Kunsthalle Mainz , Mainz<br \/>\n\u201cSubstantial influence\u201d, Bayer Kulturhaus, Leverkusen<br \/>\n\u201cGrammar of Freedom \/ Five Lessons: Works from the Arteast 2000+ Collection\u201d, Garage Museum of Contemporary Art, Moscow<br \/>\n2014<br \/>\n\u201cManifesta 10\u201d, The State Hermitage Museum, St. Petersburg<br \/>\n\u201cDisconsent\u201d, Art Today Association, Center for Contemporary Art \u2013 The Ancient Bath, Plovdiv<br \/>\n\u201cBeyond Zero\u201d, Calvert 22 Gallery, London<br \/>\n\u201cSeptember Show\u201d, Galerija Gregor Podnar, Berlin<br \/>\n\u201cCoffee &amp; Ink\u201d, Casas Riegner Gallery, Bogota<br \/>\n\u201cCosmos\u201d, Mestna Galerija, Ljubljana<br \/>\n2013<br \/>\n\u201cThe things I want to express are so beautiful and pure\u201d, Galerie Peter Kilchmann, Zurich<br \/>\n\u201cNO questions\u201d, Ausstellungsraum Klingental, Basel<br \/>\n\u201cMateriality In The Portal\u201d, KIBLA, Maribor<br \/>\n\u201cRules of Attraction\u201d, insitu, Berlin<br \/>\n\u201cPlanet of Man\u201d, ERES-Stiftung Foundation, Munich<br \/>\n\u201cSummertime readings\u201d, CAC, Vilnius<br \/>\n\u201cSummertime readings\u201d, Cesis art festival, Cesis<br \/>\n\u201cAmuse me\u201d, Mestna galerija, Ljubljana<br \/>\n2012<br \/>\n\u201cThe Present and Presence\u201d, MSUM \/ Museum of Contemporay Art Metelkova, Ljubljana<br \/>\n\u201cThe Present and Presence &#8211; Repetition 2\u201d, MSUM \/ Museum of Contemporay Art Metelkova, Ljubljana<br \/>\n\u201c9th Shanghai Biennale\u201d\u00a0&#8211;\u00a0Shanghai Biennale, Shanghai<br \/>\n\u201cOffen Auf AEG\u201d, N\u00fcrnberg<br \/>\n\u201cVon Sinnen. Wahrnehmung in der zeitgen\u00f6ssischen Kunst\u201d, Kunsthalle zu Kiel, Kiel<br \/>\n\u201cIt doesn\u2019t always have to be beautiful, unless it\u2019s beautiful\u201d, Pristina, Art Gallery of Kosovo, Kosovo<br \/>\n2011<br \/>\n\u201cEuropean Triennial of Small Sculpture\u201d, Galerija Murska Sobota, Murska Sobota<br \/>\n\u201cLaboratory of the Future\u201d, Centre for Contemporary Art Ujazdowski Castle, Warsaw<br \/>\n\u201cMerz World\u201d CABARET VOLTAIRE, Dada Zurich, Zurich<br \/>\n\u201cImpossible Community\u201d, MMOMA \/ The State Museum of Contemporary Art\u00a0, Moscow<br \/>\n\u201cDada Moscow\u201d, Artplay Design Center, Moscow<br \/>\n\u201cM\u00f6glichkeitsraster \/ possibility grid\u201d, ESC im LABOR, Steirischer Herbst, Graz<br \/>\n\u201cEyes Looping for a Head to Inhabit\u201d, Muzeum Sztuki w Lodzi, Lodz<br \/>\n2010<br \/>\n\u201cDrawing Spaces\u201d, Impronte Contemporary Art, Milan<br \/>\n\u201cSpace Inventions\u201d,\u00a0Der k\u00fcnstliche Raum, K\u00fcnstlerhaus, Vienna<br \/>\n\u201cU3 &#8211; 6th Triennial of Contemporary Art in Slovenia\u201d, Moderna galerija , Ljubljana<br \/>\n\u201cContemporary Art and Mutual Trust\u201d,\u00a0Sanat Liman\u0131, Istanbul<br \/>\n\u201cEllipse \/ Eclipse &#8211; Part II\u201d,\u00a0Galerie Schleicher + Lange, Paris<br \/>\n\u201cSweet Nowhere\u201d,\u00a0Mestna galerija, Ljubljana<br \/>\n2009<br \/>\n\u201cAccelerated Living\u201d, Impakt Festival, Utrecht<br \/>\n\u201cNew Old Cold War, Post-Socialist Countries Experience\u201d, 3rd Moscow Biennial for Contemporary Art, special project, Moscow<br \/>\n\u201cConfines\/ VISIONS OF THE FRONTIER\u201d , IVAM-Institut Valenci\u00e0 d\u2019Art Modern, Vaelncia<br \/>\n\u201cAzioni molto semplici senza uno scopo preciso\u201d, Galleria Artra, Milano<br \/>\n\u201cLiquid frontier\u201d lille3000, Lille<br \/>\n2008<br \/>\n\u201cVom Schnee\u201d, Museum Kitzb\u00fchel, Kitzb\u00fchl<br \/>\n\u201cL\u2019Homme Merveilleux\u201d, Ch\u00e2teau de Malbrouck, Manderen<br \/>\n\u201cEurasia. Geographic cross-overs in art\u201d, Mart, Rovereto<br \/>\n\u201cMuseum in the Street\u201d, Moderna galerija, Ljubljana<br \/>\n2007<br \/>\n\u201cLike to Like\u201c, Galerija Gregor Podnar, Berlin<br \/>\n\u201cR\u00e9sidents\u201d, Espace EDF Electra, Paris<br \/>\n\u201c27th Biennial of Graphic Arts, Art Poster Project, 3500 cm2\u201d, Ljubljana<br \/>\n\u201cEveryday Stories\u201d, HAU &#8211; Hellenic American Union Gallery, Athens<br \/>\n\u201cActing in Utopia \u201c, Landesgalerie am Ober\u00f6sterreichischen Landesmuseum, Linz<br \/>\n\u201cSpeed 3\u201d, IVAM-Institut Valenci\u00e0 d\u2019Art Modern, Valencia<br \/>\n\u201cFrom Text To Machine\u201d, Rael Artel Gallery, Tartu<br \/>\n2006<br \/>\n\u201cUchronies\u201d 49 Nord 6 Est, Fonds regional d\u2019art contemporain de Lorraine, Metz<br \/>\n\u201cCommon Destination\u201d, Drawing Center, New York<br \/>\n\u201cThis Is Not America\u201d, Braverman ByArtProjects, Tel Aviv<br \/>\n\u201cZerst\u00f6rte Welten und die Utopie der Rekonstruktion\u201d, Kunstraum Dornbirn, Dornbirn<br \/>\n\u201c\u00d8delagte Verdener &#8211; og rekonstruktionens utopi Arhus Kunstbygning\u201d, Center for Contemporary Art, \u00c5rhus<br \/>\n\u201cApproaching Reality\u2019s Borders. Art, Science and Technology\u201d, ARCOS-Museum of Contemporary Art Sannio, Benevento<br \/>\n\u201cSpacePlace: Art in the Age of Orbitization\u201d, net-curating, ZKM | Center for Art and Media, Karlsruhe<br \/>\n2005<br \/>\n\u201cJOY\u201d, Casino Luxembourg &#8211; Forum d\u2019art contemporain, Luxembourg<br \/>\n\u201cTERRITORIES, IDENTITIES, NETS\u201d, Slovene Art 1995 \u2013 2005, Moderna galerija, Ljubljana<br \/>\n\u201cEVN Collection\u201d, MUMOK, Vienna<br \/>\n\u201cOvertures\u201d, Artcircolo Kunstprojekt, Munchen<br \/>\n\u201cArtStars\u201d, ON25, Luxembourg<br \/>\n\u201cMIR Dreams of Space\u201d, Stills Gallery, Edinburgh<br \/>\n2004<br \/>\n\u201cTraveling bullet\u201d, Artists Space, New York<br \/>\n\u201dSeven sins\u201d, Moderna galerija, Ljubljana<br \/>\n\u201cSystem of coordinate\u201d, Museum of Modern Art, Zagreb<br \/>\n\u201cMediterraneans. Arte Contemporanea\u201d, MACRO Museo d\u2019Arte Contemporanea di Roma, Rome<br \/>\n\u201cOn Air\u201d, Galerie f\u00fcr Zeitgen\u00f6ssische Kunst, Leipzig<br \/>\n\u201cVenture\u201d, Galerija Gregor Podnar, Ljubljana<br \/>\n\u201cFree entrance\u201d BAWAG Foundation, Vienna<br \/>\n\u201cImagine Limerick\u201d, eva+, Limerick<br \/>\n\u201cFLIPSIDE\u201d, Artists Space, New York<br \/>\n2003<br \/>\n\u201cModesty\u201d Galerija Skuc, Ljubljana, Mala galerija \/ Moderna galerija, Ljubljana<br \/>\n\u201cImagining Prometheus\u201d, Palazzo della Ragione , Milan<br \/>\n\u201cMIR 2003 Campaign\u201d, zero gravity, Star City<br \/>\n\u201cStation Utopia\u201d, La Biennale di Venezia, Venice<br \/>\n\u201cFade in, Fade out\u201d, Gallery Kapelica, Ljubljana<br \/>\n\u201cBerlin &#8211; Moscow \/ Moscow &#8211; Berlin\u201d, Martin Gropius Bau, Berlin<br \/>\n\u201cPoesis\u201d, M\u0171csarnok \/ Kunsthalle, Budapest<br \/>\n\u201cMIR, Art in Variable Gravity\u201d, Cornerhouse gallery, Manchester<br \/>\n\u201cImpark1 \u201c, Olympia Park, Munchen<br \/>\n\u201cParasiteParadise\u201d, Leidsche Rijn<br \/>\n2002<br \/>\n\u201ccollection 2000+ \u201c, ZKM, Center for Art and Media, Karlsruhe<br \/>\n\u201cIconoclash\u201d, ZKM, Center for Art and Media, Karlsruhe<br \/>\n\u201cSeptember horse\u201d, K\u00fcnstlerhaus Bethanien, Berlin<br \/>\n\u201cCentre of Atraction\u201d, 8th Baltic Triennial of International Art, Vilnius<br \/>\n2001<br \/>\n\u201cParasite\u201d, Stichting SKOR, Amsterdam<br \/>\n\u201cWater proof\u201d, Stichting Fort Asperen, Acquoy<br \/>\n\u201ccommunication between the arts\u201d, The 1st Valencia Biennial, Valencia<br \/>\n\u201cTrbu dell\u2019arte\u201d, Galleria Comunale di Arte Moderna e Contemporanea, Rome<br \/>\n\u201cBody and the east\u201d, Exit Art Gallery, New York<br \/>\n\u201cVULGATA\u201d, Moderna galerija, Ljubljana \/ Neuer Berliner Kunstverein, Berlin<br \/>\n2000<br \/>\n\u201ccollection 2000+ \u201c, Moderna galerija, Ljubljana<br \/>\n\u201c\u2026incommensurabilis\u2026\u201d, Galerija Skuc, Ljubljana<br \/>\n\u201cProjet, Utopie, Construction\u201d, L\u2019autre moitie de l\u2019Europe, Jeu de Paume, Paris<br \/>\n1999<br \/>\n\u201cReality and fiction\u201d, Kunsthalle Faust, Hannover<br \/>\n\u201cAfter the Wall\u201d, Moderna Museet, Stockholm<br \/>\n1998<br \/>\n\u201cBody and the east\u201d, Moderna galerija, Ljubljana<br \/>\n1997<br \/>\n\u201cIts a better world\u201d, Wiener Secession, Vienna<br \/>\n1996<br \/>\n\u201cInterpol\u201d, Stockholm<br \/>\n\u201cManifesta 1\u201d, European Biennial of contemporary art, Rotterdam<br \/>\n\u201cFor the Museum of Contemporary Art Saraevo 2000\u201d, Moderna galeria Ljubljana \/ Museum of Modern Art, Ljubljana<br \/>\n\u201cFernbedienung-does television inform the way art is made?\u201d, Grazer Kunstverein, Steirischer Herbst, Graz<br \/>\n1995<br \/>\n\u201cARS 95\u201d, Nykytaiteen Museo, Helsinki<br \/>\n\u201cKr\u00e4ftemessen\u201d, K\u00fcnstlerwerkstatt, Munchen<br \/>\n\u201cContemporary Moscow Photography\u201d, NBK, Berlin<br \/>\n1994<br \/>\n\u201cThe Hamburg Project\u201d, Contemporary Art Center, Moscow<br \/>\n\u201cEurope 94\u201d, Junge Europ\u00e4ische Kunst in M\u00fcnchen, Munchen<br \/>\n1993<br \/>\n\u201cEurop\u00e4er\u201d, Grazer Stadtmuseum, Steirischer Herbst, Graz<br \/>\n\u201cMonumental Propaganda\u201d, Central House of Artist, Moscow, Courtyard Gallery of The World Financial Center, New York<\/p>\n<p>PUBLIC COLLECTIONS<\/p>\n<p>Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium<br \/>\nNomas Foundation, Rome, Italy<br \/>\nCentre national des arts plastiques, Paris, France<br \/>\nSammlung EVN, Maria Enzersdorf, Austria<br \/>\nModerna Galerija Ljubljana, Ljubljana, Slovenia<br \/>\nUGM Maribor, Slovenia<br \/>\nMuseum of Contemporary Art Zagreb, Zagreb, Croatia<br \/>\nGarage Museum of Contemporary Art, Moscow. Russia<br \/>\nNational Center for Contemporary Art \u2013 Moscow Branch, Moscow, Russia<br \/>\nRussian Museum, St. Petersburg, Russia<br \/>\nMS museum Sztuki w \u0141odzi , Poland<br \/>\nCenter Pompidou, Paris, France<\/p>\n","protected":false},"excerpt":{"rendered":"<p>VADIM FI\u0160KIN (FISHKIN) Born in Penza 1965 (USSR) Lives and works in Ljubljana. SELECTED SOLO EXHIBITIONS 2025 \u201eWindblown \u201c, (with Manuel Gorkiewicz ), EVN AG Headquarter, Vienna 2023 &#8220;Batteries not included&#8221;, Loom Gallery, Milan, Italy &#8220;Dark Times&#8221;, Bo\u017eidar Jakac Art Museum, Kostanjevica na Krki, Slovenia. 2022 \u201cThe Island of the Day Before\u201d, Franz Josefs Kai [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-30","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/vadimfishkin.si\/index.php?rest_route=\/wp\/v2\/pages\/30","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vadimfishkin.si\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vadimfishkin.si\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vadimfishkin.si\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vadimfishkin.si\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30"}],"version-history":[{"count":61,"href":"https:\/\/vadimfishkin.si\/index.php?rest_route=\/wp\/v2\/pages\/30\/revisions"}],"predecessor-version":[{"id":1621,"href":"https:\/\/vadimfishkin.si\/index.php?rest_route=\/wp\/v2\/pages\/30\/revisions\/1621"}],"wp:attachment":[{"href":"https:\/\/vadimfishkin.si\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}